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Call for Submissions

Submission Guidelines*

The Path

The Path to Publication Group publishes the literary publication – The Path. You are invited to submit short stories, essays, book reviews and poems for inclusion in the Winter issue.

The theme for Volume 7 No. 2 is ‘Behind Closed Doors’. For more information, please visit the websites: www.pathtopublication.net and www.thepathmagazine.com . Past contributors will receive a call for submissions by e-mail, automatically.

1)          Short stories and essays – over 2,500 words

2)              Poetry – 1 page (No theme required)

Please polish your manuscripts to the best of your ability and, of course, have someone else edit your work before sending to Path to Publication.  Do not format your work: no page numbers, no headers or footers, no footnotes, no paragraph indentations (skip a line for paragraph spacing).  Manuscripts must be submitted in Microsoft Word or RTF form.  Font: Times New Roman – size 12. All submissions must be submitted electronically, as e-mail attachments, to: mjnickum@thepathmagazine.com .

Deadline for Issue #14 is October 31, 2017

All rights are retained by the author, and there will be no compensation for accepted work at this time*.
*Because we are staffed by volunteers, we can only compensate our writers in exposure to our audience.  Our columnists enjoy great publicity for their own blogs, books, websites, and projects.  Many find great reward in doing something good for the world of literature and literacy. You may also purchase add space to further promote your work.

New Author to be Featured on Our Author Take Over Event

cover-1Kindle

As young Petros maneuvers the hallways of the Hellenic American School for the Arts, it’s the ice cream man, who stops by at recess, from whom he learns the most. Just one year shy of making it into high school, Petros challenges the strict rules of his school while also trying to follow the strict rules of his traditional Greek home in a tough neighborhood in the New York City borough of Queens.

When he finally gets the chance to go to the specialized high school his brother now attends, his hopes and efforts are challenged by all the authority figures around him, except for his newfound friend, Mulvaney.

 

Writing for PTP Book Division

Writers of any genre want to make a good first impression. However, if editors see typos or formatting issues as soon as they begin reading your submission, chances are they won’t read all the way to the end before rejecting it.

You’ve already spent a fair amount of time drafting and revising your work. The final step before you submit it should be to have a copy editor look at it. Of course, that costs money, unless you have a copy editor as a friend and he or she is willing to work for you for free. If it’s just not feasible for you to have someone copy edit your work for you, here are some tips to help you review your own writing before sending it to publisher. [As with any submission, be sure to check the publisher’s website for individual formatting preferences.]

  1. Eliminate double-spaces between sentences.

Inserting two spaces between sentences is a habit formed in the days when people used manual typewriters. With word processing programs, such as Microsoft Word, you only need one space following a period or other punctuation that ends a sentence. If you send an editor your story or article with two spaces between each sentence, that editor may make assumptions about you or your technological capabilities before they even read your first sentence.

2.  Ensure consistency of formatting.

If you are submitting prose, check to see that your font size and type are consistent throughout the manuscript. This is especially important if you have been cutting and pasting quotes from outside sources, such as websites or emails.

 

Next, go through your manuscript to ensure that your line spacing and methods of indenting (be sure to use Word’s automatic .5 space indent) paragraphs remain the same from beginning to end. Are you using headers and sub-headers? Make sure you format all headers the same way, and that sub-headers are formatted in a way that is visibly different from the way headers are formatted.

  1. Confirm the spelling of names.

Whether you are quoting another writer, using an epigraph, or writing a journalistic article, confirm that you are spelling a person’s name correctly. Google it, even. If it’s a foreign name, it may contain special characters or accent marks. Microsoft Word allows you to insert characters from just about any language, so there’s no excuse for referencing Gabriel García Márquez without using the accent marks in his name.

This advice also applies to the names of companies, towns, states, and countries. An editor will suspect the veracity of everything else in a journalistic article or nonfiction manuscript if you misspell the names of locations or businesses mentioned in your piece.

  1. Don’t guess at the spelling and accenting of foreign words and phrases.

Many foreign words and phrases have found their way into everyday English usage. When incorporated into poetry or prose, it is often the practice to italicize these words. The first time I saw “Walla!” used instead of “Voilà!” I could not believe the author had not even bothered to check the word’s spelling. Here, too, Microsoft Word’s “insert symbol” feature enables you to use just about any foreign accent or symbol you could possibly need. Our editors will know immediately if you are just being lazy.

 

Saguaro Books Author Takeover Event

Saguaro Books Author Takeover Event on Facebook by Saguaro Books Find out what Saguaro Books is all about and the books we publish SEPT 30, 2017

via Upcoming Event — Nickum’s Nook

Writing Nonfiction

Eight preparatory steps necessary to successfully write a nonfiction book:

  1. Choose your topic.

The first thing you want to do as you prepare to write a nonfiction book is choose a topic for your project carefully. This may seem like a no-brainer, but it really isn’t.

  1. Create a Content Plan

Create an outline or a table of contents for you book. This ends up looking like a table of contents—actually a rather detailed table of contents with chapter titles and subheading titles. You might prefer to just create a simple outline or a bulleted list.

Whatever your method of choice, create something that looks like the structure of a book—a table of contents. And know what content will fill that structure as you create your manuscript. That’s your map.

Then, when you sit down to write each day, you know exactly what to write. In fact, the more detailed you make this plan, the more quickly and easily you will write your book. You will spend little time staring at your computer screen wondering what to write or what comes next. You will know. It will be right there in your writing plan. You’ll just follow the map—your table of contents—to your destination.

  1. Determine What Research You Need

You might think you can write your book “off the top of your head” because you are the expert on the topic. Inevitably, though, you will discover a need to search for something—a URL, a quote, the title of a book. These things can slow down your process. This is where preparation can help keep your fingers on the keyboard typing rather than perusing the Internet.

For each item in your plan—or your detailed table of contents, brainstorm the possible research you need and make note of it.

As you write, if you discover you need more research or interviews, don’t stop writing. Instead, create brackets in your manuscript that say [research here] and highlight them in yellow. Later, do a search for the term “research,” and fill in the gaps.

  1. Create a To-Do List

Look over your content plan. Take all the research items you listed and put them on a to-do list.

Make a list of URLs, books and articles to find. Look for anything you need to do. For instance, does your research require that you visit a certain location? If so, put “Visit XX” on the to do list.

Don’t forget to put interviews on this list. You want to conduct your interviews now.

  1. Gather and Organize Your Materials

Gather as much of your research and other necessary material as you can prior to the end of October. Purchase the books, copy the articles into Evernote.com, copy and past the URLs into a Word doc, or drag them into Scrivener’s research folder, for instance. Get your interviews transcribed as well—and read through them with a highlighter, marking the quotes you think you want to use.

If you are writing memoir, you might want to gather photos, journals and other memorabilia. If you are re-purposing blog posts, or reusing any other previously published or written material, you want to put all of this in one place—an online folder, a Scrivener file or a Word file.

Generally, get as much of what you need to write your book in an easily accessible format and location so you aren’t searching for it when you should be writing. Use piles, boxes, hanging folders, computer folders, cloud storage…whatever works best for you.

  1. Determine How Much Time You Need

Each nonfiction book is different and requires a different amount of time to write. A research based book takes longer to write, for example, because you have to study, evaluate and determine your opinion of the studies. You have to read the interviews you conducted, choose appropriate quotes and then work those quotes into your manuscript.

If, on the other hand, you write from your own experiences, this take less time. With the exception of drawing on anecdotes, an occasional quote or bit of information from a book, the material all comes from your head. You need only sit down and write about a process you created, your own life story or your area of expertise.

  1. Create a Writing Schedule

Last, create a writing schedule. You now know how much time you need to write your book. Now find those hours in your calendar and block them off. Make those hours sacred.

  1. Put a Back-Up System in Place.

Yes…this is my last tip, because you just never know what happens. Your computer crashes or dies. You accidentally delete your whole manuscript. Your child dumps milk all over your keyboard.

You want a back up of your project. Always save it to your computer’s drive and onto a thumb drive or, better yet, into the cloud, for safe keeping! Make these plans in advance as well. You can use Evernote.com, Dropbox.com or Google Drive, for example.

Nine Must-Follow Manuscript Rules

by  Anica Mrose Rissi

  1. Revise, revise, revise! I don’t want to read your first draft, ever. (Tip: Your novel isn’t ready to send to me until you can describe it in one sentence.)

    2. Start with conflict and tension to raise questions, arouse curiosity and (like musical dissonance) create the need for resolution.

    3. Start with the story you’re telling, not with the backstory. Throw the reader directly into a conflict and let her get to know your characters through their actions. (Yes, this is another way of saying, “Show, don’t tell.”)

    4. Give the reader something to wonder about and a sense of where the story is going—of what’s at stake.

    5. Avoid explaining too much too soon. And, don’t be obvious. Trust your readers. Trust your characters. Trust your writing. If you find that chunks of your story need to include long explanations, go back in and write those chunks better, until the story explains itself.

    6. Make sure your story has both a plot arc and an emotional arc. Cross internal conflict with external conflict. Give your characters moral dilemmas, and force them to deal with the consequences of their choices.

    7. Read your dialogue out loud. When revising, ask yourself, “What is the point of this dialogue?” (Just as you should be asking, “What is the point of this sentence? What is the point of this scene?”)

    8. Use adjectives, adverbs and dialogue tags only sparingly. (See “trust your readers,” above.)

    9. Make sure your details matter.

Guide for a Good Manuscript Critique

How can you give a good manuscript critique? When you critique a manuscript, you want to do a good job. You want the writer to be able to tell easily what you think. You want to give them both ways to correct and ways to enhance the manuscript. Here are ways that will guide you and insure you give a good critique.

When you critique a manuscript, make your notes stand out:

  • Put in blue text at least three Blue Ribbon passages or highlight in blue – my name for words, sentences, phrases, paragraphs, or scenes that are especially well-written. In this particular manuscript, these parts win First Prize – the Blue Ribbon.
  • Put in red text, highlight in yellow, and/or cross out words you believe should be deleted .
  • Use a different color font for your remarks from the one the writer used.
  • Use all caps for your input. WHAT A STRONG BEGINNING!
  • Note punctuation and grammar errors.
  • Point out where the writer needs to show, not tell. SHOW, DON’T TELL.
  • Write questions in the manuscript when you think of them.
  • Or do your own thing. Be creative.

Write the following questions at the beginning of the manuscript you’re about to critique. It will help you focus on the story’s strengths, as well as give the author places that need enrichment. If you’re the author, ask yourself these questions about one of your own manuscripts.

23 Questions for a Critique

After reading a manuscript, answer these questions.

  1. What does the main character want?
  2. What was he willing to do to get it?
  3. What kept the main character from getting what he wanted?
  4. Does he get what he wants? How?
  5. What are the mistakes that the main character makes?
  6. What are his flaws? (He’s got to have flaws.)
  7. What is the lowest point in the story?
  8. Did the main character change? How?
  9.  What does the main character learn about life from his experiences in this story?
  10. Do you know what each main character wants?
  11. Does each main character have a distinct voice of his own?
  12. Can you tell when a different character is talking?
  13. What do you want to know that the writer is not telling you?
  14. Does it make sense? If not, note in the manuscript which parts that don’t make sense.
  15. Does the main character face his conflict or run away?
  16. Does the main character save himself by human means or is he saved with unbelievable circumstances that seems like magic?
  17. Mark where writer needs to show, don’t tell.
  18. Can you write a short summary of the story? Do it.
  19. What are three main errors-main punctuation and grammar errors-for the author to correct?
  20. Point out any pet words that the author uses over and over again? A thesaurus might have other words to use in place of them.
  21. What are three Blue Ribbon passages?
  22. What questions come to mind as you read the manuscript?
  23. After reading the story, can you write a short (25-100 word) summary? Do so. If not, tell the parts of the story that are missing.

Never Give Up!
Joan Y. Edwards

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